Friday, January 27, 2012

THE OSCAR NOMINATIONS

Ponder this year's Academy Award nominees and you'll see a theme of nostalgia — and a French flavor. "Hugo," Martin Scorsese's gentle 3D tale of a movie-loving orphan living in a train station in 1930s Paris, came out on top with 11 nominations, including best picture, director and adapted screenplay. "The Artist," a black-and-white love letter to early Hollywood, earned 10 nods, including first-time nominations for its French director (Michel Hazanavicius), star (Jean Dujardin, in the best-actor category) and ingénue (Bérénice Bejo, for supporting actress).

And Woody Allen set a record for writers, earning his 15th career nomination in the original screenplay category for "Midnight in Paris." The film was also recognized for best picture, director (Allen's seventh nomination in that category) and art direction. Its story? A contemporary American in Paris gets magically transported into the 1920s literary scene.

The Academy named an unprecedented nine films to the best picture list, thanks to a change in the rules that required each nominee in that category to be a first-place vote on at least 5 percent of ballots. (For the past two years, the category has had 10 slots; before that for many decades, it was five.) Also on the slate: "Moneyball" (with six total nominations), "War Horse" (also six), "The Descendants" (five), "The Help" (four), "The Tree of Life" (three) and "Extremely Loud and Incredibly Close" (two).

The acting categories featured some new faces, in the form of first-time nominees like Demián Bichir (best actor, for "A Better Life," a drama about immigrants in east Los Angeles that played Seattle briefly last summer), Rooney Mara (best actress, "The Girl with the Dragon Tattoo"), Octavia Spencer (best supporting actress, "The Help") and Melissa McCarthy (best supporting actress, "Bridesmaids"). Among the veterans, Meryl Streep notched her record-setting 17th acting nomination (for "The Iron Lady"), and the supporting-actor category was noted for having three nominees 70 and older: Nick Nolte ("Warrior"), Christopher Plummer ("Beginners") and Max von Sydow ("Extremely Loud and Incredibly Close").

Among the surprises in other categories: Terrence Malick beat out the likes of Steven Spielberg and Clint Eastwood for a directing nomination for "The Tree of Life"; the Iranian film "A Separation" received not only a foreign-language film nod but a nomination for best original screenplay; a Pixar film (this year's eligible one: "Cars 2") did not make the list for best animated film; and only two original songs were deemed worthy of recognition in the best song category — an all-time low. (Perhaps more of them should have been in French.)

The Academy Awards ceremony, hosted by Billy Crystal, takes place Sunday, Feb. 26. Let the campaigning begin ...

Thursday, January 12, 2012

SILENTS PLEASE!

Sat Jan 14, 2012
Fort Lee [NJ] Film Commission's
Richard Koszarski
Author & Prof, Rutgers University
presents 2 French silents filmed at Fort Lee, NJ:
2:30pm - Robin Hood (1912, 35 min)
and
4:00pm - Alias Jimmy Valentine (1915, 50 min)
Live accompaniment by
Andrew Simpson
National Gallery of Art
Lower level
4th & Constitution Ave, NW
Washington, DC
Free admission!
Limited street parking; garage parking ($11 for afternoon) on 6th St, NW between Pennsylvania Ave & D St, NW.
Nearest Metro stations - L'Enfant Plaza (Blue,orange, yellow, green), Smithsonian (Blue, orange), Natl Archives-Navy Memorial (yellow, green).
From the NGA's website:
January 14

American audiences once supported thousands of local nickelodeons, moving picture entertainments found everywhere from urban business districts to villages and seaside resorts. The one-reel farces and melodramas that fueled this explosion were often imported directly from Paris. Pathé Frères dominated the market but the Société Française des Films et Cinématographes Éclair found a way to establish a foothold of its own. If Pathé opened a film lab in New Jersey, Éclair would go one better, and in 1911 broke ground for the first motion picture studio in Fort Lee—the opening shot in a French invasion. Richard Koszarski, author of Fort Lee, the Film Town discusses the impact of these French studios and introduces two Fort Lee films, Robin Hood and Alias Jimmy Valentine.

Ciné-Concert: Robin Hood
January 14 at 2:30PM

Centennial Screening
Introduction by Richard Koszarski
Andrew Simpson, piano

Éclair's 1912 production of Robin Hood, a half-hour epic inspired by the once-popular Reginald de Koven operetta, has recently been restored with all its original color tints by the Fort Lee Film Commission. (Étienne Arnaud, 1912, 35 mm, 35 minutes)

Ciné-Concert: Alias Jimmy Valentine
January 14 at 4:00PM

Introduction by Richard Koszarski
Andrew Simpson, piano

Hoping to expand production to feature-length films, the Éclair company sent director Maurice Tourneur from Paris to Fort Lee in 1914. Over the next four years Tourneur and his associates would make 30 features, combining the style and sensibility of French production with the energy and local color of the Americans. One of their finest was Alias Jimmy Valentine, a brilliantly photographed crime thriller based on an O. Henry short story. This was the first of Jimmy Valentine's many filmed adventures but the only one so noticeably in the tradition of Fantômas, Judex, and the other great French crime serials. (Maurice Tourneur, 1915, 35 mm, 50 minutes)

Wednesday, January 11, 2012

GALLERY OPENINGS

Susan Calloway Fine Arts: Time of Day Opening Reception

Susan Calloway Fine Arts (1643 Wisconsin Avenue, NW) invites you to the opening reception of Time of Day by Caroline Adams on January 20, from 5 to 8. p.m. From 2001-2003 Adams lived, studied and taught printmaking and bookmaking at the Aegean Center for the Fine Arts on the island Paros in Greece. She has shown in a number of galleries including the Artist's House Gallery in Philadelphia, the Hard Castle Gallery in Delaware and the Shelburne Art Center in Vermont to name a few. The inspiration for her artwork is the mid-Atlantic countryside and more recently, the mountains and clouds of Ecuador. Adams' paintings and prints are meant to express a degree of ambiguity that provokes a sense of familiarity and serenity without presenting a specific location. View her work here. 202.965.4601



Parish Gallery: Innergism, Luba Sterlikova Opening Reception

Showing thru January 17, Parish Gallery (1054 31st Street, NW) invites you to the opening reception of the exhibit Innergism by Luba Sterlikova on Friday, January 14, from 6 to 8 p.m. Light refreshments and wine sponsored by Terrazas Wine will be served. Russian born, Sterlikova's work shows both American and Russian influence as detected by the eastern vivid colors blended symbiotically with more western shapes and structures. 202.944.2310









Old Print Gallery: Winter Contemporary Show

The Old Print Gallery (1220 31st Street, NW) is pleased to announce their newest gallery exhibit, their Winter Contemporary Show, showing from Friday, January 27 until March, 10. Over 20 different artists who use printmaking as their primary medium for artistic expression were selected for this show. The prints chosen for the show resonate the skill and intention, and reflect the current eclecticism of contemporary printmaking. Highlights include prints by New York artists Takumune Ishiguro and Robert Birmelin, and D.C. artists Jenny Freestone and Nikolas Schiller. Click here to see a complete list of artists. The exhibit will open with a nighttime reception on Friday, January 27, from 5 to 8 p.m. at The Old Print Gallery. Free wine and light refreshments will be served and attendees will get a chance to preview the new show. 202.965.1818